2017

Driesbach, Janice. Intersections: Artists Master Line and Space. Akron Art Museum, Akron, OH, 2017.

Wright, Karen. Entangled, Threads & Making. Turner Contemporary, Rendezvous, Margate, UK, 2017. pp. 84-85.

2016

Schwab, Helen and Robin Wright. The Campaign for Art, Gifts for the San Francisco Museum of Modern Art. San Francisco Museum of Art, San Francisco, CA, 2016. pp. 244.

Prince, Marshall N. A Material Legacy: The Nancy A. Nasher and David J. Haemissegger Collection of Contemporary Art. Nasher Museum of Art at Duke University, Durham, NC, 2016. pp. 85.

Schimmel, Paul and Jenni Sorkin. Revolution in the Making: Abstract Sculpture by Women 1947-2016. Skira/Hauser & Wirth, New York, NY, 2016.

2015

Goergen, Stacey and Amanda Benchley. Artists Living with Art. Abrams, New York, NY, 2015.

Simon, Joan. Oliver Ranch. Gregory R. Miller & Co., New York, NY, 2015. pp.103-115.

2013

Williams, Tod and Billie Tsien. Wunderkammer. Yale University Press, New Haven, CT, 2013.

Sims, Lowery. Against the Grain: Wood in Contemporary Art, Craft and Design. Monacelli Press, New York, NY, 2012.

Crosman, Christopher B. and Emily D. Shapiro. Celebrating the American Spirit: Masterworks from Crystal Bridges Museum of American Art. Seattle: Marquand Books, Seattle, WA, 2011.

Kane, Patricia. Conversations with Wood: Selections from the Waterbury Collection. New Haven: Yale University Press, New Haven, CT, 2011.

Hanzal, Carla and Glenn Harper. Material Terrain: A Sculptural Exploration of Landscape and Place. International Arts & Artists, Washington D.C., 2005.

Grande, John K. Art Nature Dialogues: Interviews with Environmental Artists. State University of New York Press, Albany, NY, 2004.
pp. 203-212.

Heartney, Eleanor. City Art: New York’s Percent for Art Program. Merrell, New York, NY, 2003.
cover, pp. 31, 220.

Mattison, Robert and Alastair Noble. Intensity of Purpose. Lafayette College Art Galleries, Easton, PA, 2003.

Danto, Arthur. Ursula von Rydingsvard: Cedar Lace and Tossing Loops. Galerie Lelong Paris, Paris, France, 2002.

Berman, Avis. Ursula von Rydingsvard: Sculptures. Galerie Lelong Zurich and Galerie Lelong New York, NY, 2000.

Stern, Peter. Earth, Sky and Sculpture: Storm King Art Center. New York, NY, 2000.
pp.156-159.

Friedman, Martin. Modern Sculpture at the Nelson Atkins Museum of Art. Nelson Atkins Foundation, Kansas City, MO, 1999.
pp. 80.

Friedman, Martin. Von Rydingsvard: Mining the Unconscious. Madison Art Center, Madison, WI, 1998.

Shirley, David A. Masters of the Masters: MFA Faculty of the School of the Visual Arts, New York, 1983-1998.

Butler Institute of American Art, Youngstown, OH, 1998.
pp. 28.

Brenson, Michael and Deborah Emont Scott. Ursula von Rydingsvard's Cutting Edge. Yorkshire Sculpture Park, West Bretton, England; The Nelson Atkins Museum of Art, Kansas City, MO, 1997.

Siersma, Betsy. Ursula von Rydingsvard, Socks on my spoons. University of Massachusetts at Amherst, Amherst, MA, 1997.

Sandler, Irving. Art of the Post-Modern Era from the Late 1960s to the Early 1990’s. Icons Editions, An Imprint of Harper Collins Publishers, New York, NY, 1996.
pp. 271-74.

Williams, Arthur. Sculpture: Technique-Form-Content. Davis Publications, Inc., Worcester, MA, 1995.
pp. 303.

Friedman, Mildred. Visions of America: Landscape as Metaphor. Essays by Martin Friedman,

John Beardsley, Lucinda Furlong, Neil Harris, Rebecca Solnit, John R. Stilgoe. Denver Art Museum, Denver, CO and Columbus Museum of Art, Columbus, OH. Distributed by Harry N. Abrams, 1994.

Gerson, Denise Most. Eight Contemporary Sculptors: Beyond Nature, Wood into Art. Essay by

Josephine Gear: “Thinking in Wood.” The Lowe Art Museum, University of Miami, Miami, FL, 1994.

Maxwell, Douglas F. Landscape not Landscape. Camino Real, Boca Raton, FL, 1994. Phillips, Patricia. Methods of Mystery. Ujazdowski Contemporary Art Center, Warsaw, Poland, 1992-93.

Brenson, Michael. Ursula von Rydingsvard: Sculpture. Storm King Art Center, New Windsor, NY, 1992.

McCall, Buzz. Then & Now. The Philippe Staib Gallery, New York, NY, 1992.

Strauss, David Levi. Artist in Residence and Experimental Projects. Capp Street Project, San Francisco, CA, 1992.

Capp Street Project AVT. San Francisco, CA, 1991.

Colo, Papo and Jeanette Ingberman. The Hybrid State. Exit Art, New York, NY, 1991.

King, Elaine A. Sowers of Myth. Cultural Center, Chicago, IL, 1991.

Onorato, Ron. Ursula von Rydingsvard ¬– and Vito Acconci. Laumeier Sculpture Park, St. Louis, MO, 1991.

Straud, Marion Boulton. An Industrious Art, Innovation in Pattern and Print at The Fabric Workshop. The Fabric Workshop, Philadelphia, PA; W.W. Norton & Co., New York, NY, 1991.
pp. 166-167.

Wierzchowska, Wieslawa and Elzbieta Dzikowska. Jestesmy. Central Bureau for Art Exhibitions, Warsaw, Poland, 1991.

Gear, Josephine. Out of Wood. Whitney Museum of American Art, New York, NY, 1990.

Streifer-Rubenstein, Sharlotte. American Women Sculptors. G.K. Hall & Co., Boston, MA, 1990.
pp. 554-556.

Ostrow, Saul. Ursula von Rydingsvard. Lorence-Monk Gallery, New York, NY, 1990.

Yau, John. Diverse Representations. The Morris Museum, Morristown, NJ, 1990.

Collischan van Wagner, Judy K. Lines of Vision - Drawings by Contemporary Women. Hudson Hills Press, New York, NY, 1989.
pp. 143, 170.

Hartman, Bruce. Ursula von Rydingsvard. Cranbrook Art Museum, Bloomfield Hills, MI, 1989.

Montebello, Philippe. Recent Acquisitions: A Selection 1988 – 1989. The Metropolitan Museum of Art, New York, NY, 1989.

Rogers-Lafferty, Sarah. Encore: Celebrating Fifty Years. The Contemporary Arts Center, Cincinnati, OH, 1989.

Ashton, Dore. Home Show. Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, 1988.

Weld, Alison. The Life Force. Robeson Center Gallery, Rutgers, Newark, NJ, 1988.

Yau, John. Ursula von Rydingsvard. Exit Art, New York, NY, 1988.

Rogers-Lafferty, Sarah. Standing Ground. The Contemporary Arts Center, Cincinnati, OH, 1987.

Sims, Lowery. Sculpture of the Eighties: Aycock, Ferrara, Frank, Lasch, Miss, Pfaff, Saar, Sperry, von Rydingsvard, Zucker. Queens Museum, Queens, NY, 1987.

Mitolo, Suzanne. Quintessence, #6. The City of Dayton, City Beautiful Council, Dayton, OH, 1985.

Zelanski, Paul and Mary Pat Fisher. Shaping Space. Harcourt Brace College Publishers, New York, NY, 1985.
pp. 16-17, 130.

Zimmer, William and Judy van Wagner. Ursula von Rydingsvard. Judith Murray, C.W. Post, Long Island, NY, 1985

Alloway, Lawrence. Ursula von Rydingsvard. Bette Stoler Gallery, New York, NY, 1984.

Schneider, Jane. The Ways of Wood. OIA, Queens College, Queens, NY, 1984.

Kingsley, April. Artists Introduce Artists. City Gallery, New York, NY, 1981.

Feinberg, Jean E. Ursula von Rydingsvard. Jorgensen Gallery, University of Connecticut at Storrs, Storrs, CT, 1980.

Sculpture 1980. Maryland Institute College of Art, Baltimore, MD, 1980.

Katzive, David. Visual Artists. Artpark, Lewiston, NY, 1979. Artists Series – WOOD. Joe and Emily Lowe Art Museum, Syracuse University, Syracuse, NY, 1979.

Wave Hill: The Artist's View. Introduction by Kirk Varnedoe, Linda Macklowe & Suzanne Randolph. Wave Hill, Bronx, NY, 1979.

Sculpture. Introduction by Frances Lassiter. New York Institute of Technology, Long Island, NY, 1977.

WOOD. County Museum of Fine Arts, Hagerstown, MD, 1977.

Fifth Annual Contemporary Reflections. The Aldrich Museum of Contemporary Art, Ridgefield, CT, 1975-76.